But it is as easily the moment and the fantasy relationship that give way as the car passes. The line breaks in lines 8 and 9 also keep us anticipating. William Carlos Williams wrote poetry that, when put under a microscope, the reader could see the true complexity of the poem hidden beneath simplicity. The poet is mobile, while the woman is associated with the house. However, the poem does have a strong hidden message. Once again, the poet's desire structures the details, progress, and interrelation of elements in the poem. The source of poetry that seeing the clock stopped, says, The clock has stopped that ticked yesterday so well? Like Ransom, women are indispensable to Williams's work; without their presence in his poetry, his oeuvre would be substantially impoverished.
Is the woman something crushed or discarded? Line 12 speaks the blunt truth of the poet's singularity — a loneliness that sets him apart from satisfied domesticity. The difference, however, is that Williams's interest is consistently both social and erotic. She was the second child and eldest daughter of Elizabeth Dixon, who hailed from Ballyshannon, Ireland. Barry Ahearn The encounter between the passing doctor and the young housewife is scrupulously polite and legitimate. From The dance of the intellect: Studies in the poetry of the Pound tradition. Copyright © University of Michigan Press, 1996. Unlike Ransom, however, his perspective on women is rich and varied and generally affirmative; moreover, Williams often treats men and women in much the same way, something Ransom is disinclined to do.
The Young Housewife contains a myriad of different examples of Williams breaking from standard poetic form—rather he tells a narrative. Maybe his running over the leaves was representative of the end of his distant admiration of the young housewife. All of these images suggest strongly that the young housewife is a natural and unrestrained character. She captures his attention by lifting her arms to tame an errant strand of hair. The unnamed subject is distantly erotic in the poet-speaker's fantasy of her in a negligee or standing at the curb without a corset. His studies at the Château de Lançy in Geneva and the Lycée Condorcet in Paris did little to alter his New World identity. For instance, the sound of negligee sounds very much like neglect.
She is compared to a leaf that is dried, and when I think of a leaf that is dried up I feel she may look old and weak from her duties as a housewife. William Carlos Williams wrote poetry that, when put under a microscope, the reader could see the true complexity of the poem hidden beneath simplicity. When it predominates and when there is nothing else, that is another matter. I think of a young woman that is empowered by her husband when I read this poem. The brief tension in crushing dried leaves derives from his declaration in lines 9 and 10 that she is a dried leaf.
This is the first time we are brought back to the narrator since his sudden involvement in live 4. Do you think there is any significance to the reappearance of the leaves? These portraits are often sexually charged, but then almost everything Williams describes is. In his late teens, he discovered the works of Walt Whitman and John Keats and began imitating their style. In addition to writing verse, he translated the work of Philippe Soupault and published four novels, three collections of short fiction, four anthologies of essays, a libretto, a play, a volume of letters, and an autobiography. For instance, He describes her moving about behind closed doors, dressed in negligee, or going to the curb un-corseted to call ice-man, or allowing her hair to hang freely, only periodically tucking it in. If the housewife has children old enough for school, they would have already left. We cannot even be certain whose innocence wanes most notably in the poem's autumnal season, the speaker's, the young housewife's, or even the reader's, for we too are implicated in the poem's final recognition.
William Carlos Williams' The Young Housewife suggests many sad things about the life of the poem's main object, the housewife, through subtle detail. Though this is not its meaning, the sounds are similar. Now, we get the image of a man walking by the house were she lives and how he steps quietly on dried leaves, and her looking up at him. I think this makes more sense, especially with the comparison in the second stanza. After using the woman for a sexual purpose, the man in the story just drives away without feeling any guilt. It is very clear, however, that Williams does not limit the young housewife to these two aspects of her life, but also emphasizes other aspects-in particular her natural beauty and sexuality, and her separation and isolation from the outside world.
In the second stanza we see the housewife come to the curb. Erin, Outstanding detailed analysis of the poem. And the next stanza seems to justify my thoughts. Williams' poetic voice composes a unique picture in which the reader is immersed in the poet's world of sensory perception. Autoplay next video are the desolate, dark weeks when nature in its barrenness equals the stupidity of man. Yet the poem hints at potential sexual contact. Maybe he compares her to a fallen leaf because although she is young, marriage has taken youth from her, made her mature, and soon she will be just like the dried leaves he ran over.
First of all you could look at it literally and picture the girl in the house moving about do various things. At the very least, there is the chance that such charges are hopelessly anachronistic. Here the poet is describing a moment that many of us have shared at one time or another, making his proper word choice essential in not being too specific but at the same time allowing details to filter through. She is there on the curb trying to act innocent, but she is carefully giving out sexual suggestions. For look what happens: The noiseless wheels of my car rush with a crackling sound over dried leaves as I bow and pass smiling. Could this curb also be seen as a barrier between her and the speaker? Also, her husband would probably have already left for work.
Compare his visual method to that of Salvador Dali, Jackson Pollock, Edward Hopper, Willem De Kooning, Marcel Duchamp, and other painters, sculptors, and muralists ofhis day. The last stanza of the poem is vastly different from the previous two because it focuses solely on the speaker of the poem and his actions rather than on the housewife. This could potentially parallel to the lonely situation of the young housewife and the reason why she calls out to these various men. Finally, Scottish rebels combined with English forces attack Macbeth's castle. This can be taken as the woman looks dead, and has no direction in life anymore.
In the same line, the speaker introduces us to the housewife that is mentioned in the title and the only adjective used to describe her is that she is young. This seems like a subconscious reaction to the men that she encounters. It is possible that the human body and, more specifically, a woman's body is the implicit object underlying many of the individual things he celebrates. Williams believed that everything in our lives, no matter how simple, can be organized into poetic verse. Throughout the poem, the speaker describes a disheveled, dispirited housewife going about her daily work, yet as he passes her he bows and smiles.