The theme 'religion can connect people to the cyclical nature of life' is shown specifically through Catholicism. He dropped his sardine bait down to various depths: forty, seventy-five, one hundred, and one hundred plus fathoms. This makes it an even bigger risk. Later, when he sees the first shark he lets out a sound that is described as, 'a noise such as a man might make, involuntarily, feeling the nail go through his hands and into the wood. He says it to himself, he was careless and he was responsible for his own failure.
He arrives to the harbor with only a skeleton to show for his work. He fights every battle as if it is his last and therefore comes out on top. Having secured the marlin to the skiff, Santiago draws the sail and lets the trade wind push him toward the southwest. Hemingway was a minimalist writer. He was a big fan of Cuba, but he wasn't Cuban. In turn, the boy is devoted to Santiago. To prove that Santiago also trusts the boy, he offers to buy Manolin a beer, as if he were a man.
The old man succeeds in killing the fish but breaks his knife blade in the process. The use of the number forty in the next sentence is the first of many religious allusions in the novella. The fish -- invisible to Santiago as it remains in deep water -- continues pulling for hours, until the sun goes down. Hemingway's father committed suicide in 1928, shooting himself. Santiago fights desperately, killing or driving off most of the sharks, but eventually the sharks eat all the flesh off the marlin.
In the company of writers like Ezra Pound, F. After forty days, though, Manolin's parents decided the old man was unlucky and ordered their son to join another boat. Another thing that makes Santiago a master craftsman is his experience. The bird was after flying fish that leaped out of the water, but the old man saw a school of dolphins, which were also pursuing the flying fish. The bird rose up, circling again, and a tuna leaped out of the water.
What Is the Significance of the Lions on the Beach for the Old Man? Santiago, a fisherman, has experienced social isolation because of his inability to perform his job and catch a single fish. His house is a very simple shack with a bed, table, and chair on a dirt floor. After a painful battle that leaves Santiago's back and hands raw, he finally kills the marlin, piercing him with a harpoon. In the morning, everyone is impressed by the extensive fish skeleton and Manolin is relieved that Santiago is okay. The story ends with Santiago dreaming once more of lions playing on the beach, which is a scene from his childhood, and relates to Hemingway's hunting safari adventures and his longing for the good ol' days when life was easier, just like Santiago does. He will no longer be the failing fisherman but the victor of his village. The old man goes to sleep and dreams of the same lions of his youth—we like to imagine it's something similar to.
Santiago could have just caught a fish and then gone back to shore immediately. The sharks are a symbol for the other fishermen. Encouraged by a bite at so deep a depth so far out in the Gulf, Santiago reasons that the fish much be very large. Recalling his exhaustion, Santiago decides that he must sleep some if he is to kill the marlin. Santiago tells Manolin that tomorrow he will go out far in the Gulf to fish. In the beginning, Santiago knows that the younger fishermen, who are more successful, look down on him, but that doesn't stop him.
The Old Man and the Sea was Hemingway's last published novel, and it was first published in Life Magazine in 1951, ten years before Hemingway killed himself. There are also religious pictures and a tinted photograph on the wall, relics of his wife. In the night, the sharks return. Another risk he takes is that he goes all by himself. Manolin is overjoyed to see him but cries when he sees the cuts in Santiago's hands.
And the birds are delicate. He is a master craftsman not only through his skill, but also through his determination. The old man wakes and retrieves the boy from his house. So that sets the stage. I love you and respect you very much. Hemingway's love of fishing and his time in Cuba presumably inspired this novel.
Early each morning, Santiago walks up the road to Manolin's family's home to wake him up for work. By demonstrating that Santiago has little more to teach the boy, this equality foreshadows the impending separation of the two friends, and also indicates that this will not be a story about a young boy learning from an old man, but a story of an old man learning the unique lessons of the autumn of life. At the house, the two rehearse a nightly ritual of speaking about fictitious rice and fish and a cast net. Hemingway also peppers the novella with numerous references to sight. A man-of-war bird swooped by, so the old man followed him, knowing the bird had spotted a large fish.
It is interesting that Hemingway draws attention to the relics of Santiago's wife in his house, presenting an aspect of Santiago which is otherwise absent throughout the novel. A small bird land on the boat, and while Santiago is speaking to the bird, the marlin lurches forward and pulls the old man down, cutting his hand. As a minimalist author, Hemingway had a knack for saying a lot even while using only a few words. In the morning, Manolin comes to Santiago's shack just as he has every day since Santiago left. Instead, he wrestles with the fish for two days and two nights and is wounded in the process.