Not only does the narrator get trapped inside the mansion, but we learn also that this confinement describes the biological fate of the Usher family. Poe uses the setting to create a macabre atmosphere in the reader's mind. In The Fall Of The House of Usher, Poe explores challenging themes, the most prominent of which is the theme of identity. A story containing these attributes can result in a very frightening or morbid read. It is the image that bursts, not the moon itself. Usher thinks the stones of the house and the water of the tarn contain a remainder of his ancestors and senses a destructive atmosphere in the house.
He explains that feelings of terror often increase the more one becomes conscious of them. I heard them—many, many days ago—yet I dared not—I dared not speak! For all its easily identifiable Gothic elements, however, part of the terror of this story is its vagueness. One of the ways that Poe exaggerates the horror of the House of Usher is by making its effect unclear. However, they do share a struggle with the main character in each story. Characters cannot move and act freely in the house because of its structure, so it assumes a monstrous character of its own—the Gothic mastermind that controls the fate of its inhabitants. Roderick Usher vocalizes this towards the end of the tale.
The narrator remembers them being close friends in their childhood but that Usher always had a reserved temperament. Said I not that my senses were acute?. Tormented characters allows the reader to enter into the minds of the individuals. We then discover the reason why the main character visits Roderick Usher. Words like gloom, bleak, decayed, depression, and hideous conjunctively allow the reader to paint an eerie image in the mind's eye. With the narratorrejected as a reliable relater of facts, the way is opened for a variety of critical approaches that seek symbolic significance for characters and events.
Poe utilises many elements of the Gothic Tradition such as setting and supernatural elements to create a more mysterious story, and uses language to his advantage, employing adjective filled descriptions of literal elements that also serve as metaphors for other parts of the story. He assures himself it must have just been the strange storm and carries on. His use of bleak setting sets the mood for his stories. As the last of the Ushers, Roderick suffers from a nervous condition and shows a strong, almost supernatural connection with his twin, Madeline, and the physical House itself. I looked upon the scene before me—upon the mere house, and the simple landscape features of the domain—upon the bleak walls—upon the vacant eye like windows—upon the few rank sedges—and upon a few white trunks of decayed trees—with an utter depression of the soul.
I now tell you that I heard her first feeble movement in the hollow coffin. He says he has heard it all, and he knows that Madeleine has been buried alive. Poe creates a tone that allows the reader to experience the same emotions as the narrator. But as they get closer and the narrator knows him more intimately, he realizes how useless these attempts are. But, again, using lists and patterns of three, Poe gradually builds the suspicion that these interruptions are real and not imagined. First-Person, Unreliable Narrator: The story is told through the first-hand account of a narrator who claims to have known Roderick Usher in childhood. Kendall ties this image of Madeline in the coffin with the stereotypical image of a vampire sleeping in a coffin during day light hours.
It was during this time that Edgar Allan Poe developed great gambling debt. Now separated from his sister, Usher is diminished, he is unable to concentrate and unable to free himself from his lingering fears and superstitions. Throughout the story, the narrator tells us of his experiences with what is left of the Usher family at their estate. This passage serves several purposes. The first time the narrator sees her, he is being told of her decease. There are three major points in which the story and the movie differ. The story-within-the-story structure, with its repeated breaking down of the walls between real and fictional worlds, implicates us as readers.
He is led into a huge room, whose windows were so high that they could not be reached. When we meet the character first time, there are no clues that put us under impression that he is mentally deranged. As if his energy had made the idea come true, they see the massive door of the room start to open and the lady standing in the threshold, enshrouded and bloody. After two year in the army Edgar Allan Poe was discharged in1829 following the death of his foster mother Frances Allan on February 28, 1829 The Death of Frances Allan affected Edgar vastly and much like the death of his mother Edgar would carry her death throughout life often revering itself in. Madeline becomes an almost paranormal, ghostly figure from her disease. Usher also suffers from a superstitious nature, especially related to the House of Usher — he feels that he cannot leave the building, and that the dilapidation and ugliness of its features has somehow affected his own condition, the physical rotting of the structure corresponding to his own rotting spirit.
As the narrator and Roderick look out the window at the strange scene—a misty, thickly overcast landscape eerily illuminated by an unseen source—, the narrator personifies the weather. Roderick tells the narrator that he suffers from nerves and fear and that his senses are heightened. Another way Poe uses setting is to foreshadow events in the story. The peasantry confuses the mansion with the family because the physical structure has effectively dictated the genetic patterns of the family. Poe uses blood to symbolize death in both stories. The color black often represents melancholy or death. Even the narrator, who is not part of the Usher family, felt a change in him as he approached the house and felt its gruesome atmosphere affect his mood.
She attacks Roderick as the life drains from her, and he dies of fear. Usher stays where he is, still rocking. The panes were scarlet—a deep blood color. The Madman is the dynamic character in this story; he transfers from sanity to some questionable mental state and back. Violent or macabre incidents are often used in American Gothic Literature to present imposing, though quite unsettling, portraits of the human experience by way of terror.