The group has been pressed into a corner and there is no way out without a fight and warns them that death is most likely in their future. Theme Of Poem The theme of the poem is that no one wants to lose and be forgotten. Works Cited Eyes on the Prize. Even if it seems impossible we still must be brave. Erasing the idea of passive resistance which made such people like Gandhi and Martin Luther King Jr.
There were severe racial problems with Blacks and Whites through out sparking violence. We want to fail nobly. Summary Of Poem If we must die is about losing nobly. The book that included such revolutionary poetry is Harlem Shadows. Although the poem had a universal appeal, McKay published this poem through one of the fiercest times for African Americans. This poem could have even fanned the flame that the race riots started. Claude McKay was aware of how to keep his name consistently in mainstream culture by writing for that audience.
Hughes and McKay spoke about the hidden nightmare behind racism and everything it stood up for. . He died on May 22 1949 in Chicago Illinois. Civil rights activist Vernon Jordan writes in his memoir, Vernon Can Read! Even If It's hard we have to give it our all and try our hardest until the end. New York: Public Affairs, 2001. It is a call to arms which inspires in its audience a common cause of justice for the oppressed.
We might see others fail but we won't end up like them. Especially now where there are a lot of problems with the New York City police department. No matter what decade we live in, same rules seem to apply. Paraphrase Of Poem Lines If we must lose we don't want to lose without a fight. In addition to these demands, prisoners like Elliot L. He was a Jamaican-American poet and writer.
Barkley gave interviews or shouted out to news teams covering the riot, calling for his fellow prisoners to be recognized as human beings. In early September, 1971, the prisoners at Attica Correctional Facility in Attica New York rebelled against their guards because they were living in poor conditions and were constantly abused by those who were supposed to guard them. We want to fight until the end. His 1922 book of poems, Harlem Shadows, Barros acknowledged that this poem was said by many to have inaugurated the Harlem Renaissance. It feels at once a definite point in time — a marker of the trials that black men faced in the late teens of the 20 th century — and simultaneously a work around which any subjected group can rally.
We must fight until the end. This poem sheds light into the author… 977 Words 4 Pages Both Langston Hughes and Claude McKay are iconic poets who helped motivate the civil rights movement. Claude McKay's If We Must Die One of the most influential writers of the Harlem Renaissance was Jamaican born Claude McKay, who was a political activist, a novelist, an essayist and a poet. He feared that the death of Martin Luther King Jr. About The Poet Claude McKay was born on September 15 1889 in Clarendon Jamaica.
But,if we are going to fail we might as well fail fighting and be honored afterwards. The poem serves as a reminder that all important goals require some sacrifice, and that there will always be somebody standing in the way of progress and fighting to stop it wherever it appears. The narrator of the poem is preparing the group to die, but implying that they must die with honor and in a noble way. We want to be known and remembered. We all have to try.
No one wants to fail. That there last breaths is one of victory because the person never stopped fighting back. Jordan used the poem to connect the struggle of black men in the early part of the century to those he and his fellow activists were facing in the middle of it. Instead of asking blacks to accept their fate or to uselessly flee from the threat of death, McKay dares them to stare death in the face and to fight against the power that whites try to hold over them. We don't want to shed any blood or tears in vain. We want to be honored for trying.
The poem is discussing a group of people who are going off to battle. . . . .
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